Facebook – Top 100 FAVORITE Fictional Characters: 88

88: Holden Caulfield
Created by J. D. Salinger for the shoft story “Are You Banging Your Head Against a Wall?”
First Appearace: 1941

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Well, I learned something, today. Totally lived my whole life under the impression that Salinger created this well-known character for his most well-known work, “The Catcher in the Rye” but I guess that’s not the case. No, he utilized the guy a number of times prior to the events that happened in that book, usually submitted for publication in The New Yorker (though they found the works of fiction surrounding Holden to be far too “desolate” to publish, most of the time). Many of the works found their way – though heavily edited – into the novel in one fashion or another, but he was born a full decade prior to his mass reveal to the world. Curious.

The thing I like about this fact, though, it that Holden himself would be pissed about it. He hates “phonies” with every fiber of his being and, as such, would despise the fact that everyone in the world “loves” the book he’s in, but know nothing of his origins. He is the ultimate “knew about it before it was cool” kind of being, having had numerous morose adventures prior to the events that transpire at Pencey Prep, but being one of the few to be aware of them. His abhorance for those that surround would only intensify if he knew of why he was famous and popular, and why people know about him at all, really.

Of course, to speak of the novel that everyone is aware of is simple and without need for great levels of detail. Everyone has either read “Catcher” or know about the so-called vulgarity of it all. And its true, Holden’s narration, while highly verbose and seemingly originating from a very intelligent source, is disparaging and filthy. But I’m not speaking about my Top 100 Works of Fiction (which would be a list far too complex to even fathom), so I won’t delve into that business, here. Instead, I’ll comment on why I like Holden so much, though – in a sense – I already have.

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The tragic nature of Mr. Caulfield is that he, himself, is the thing he hates: a phony, of sorts. Particularly in his own declarations regarding his intelligence levels. While he proclaims that he is “dumb”, his language, ability to suss out reason in things, and the way he carries himself in social settings showcases an intellect that is higher than average. Though he elects to utilize this in the most profane of ways (particularly when it comes to word choice and timing), his creative spark in conversation alone makes him out to be much smarter than he presents himself. Even if/when his evaluations of the events he finds himself in could be viewed as “wrong” (though that is, obviously, subjective, a primary example of this being his sudden attitude shift toward a certain prostitute upon finding out about her profession), his reasoning, always well-narrated and clearly thought-out, is solid and, in its own way, infallible. That is the beuty of this character.

He also showcases two traits that I love in characters: loyalty and respect. Both of these take Holden to a slightly sinister place, of course, with his favorite teacher, but they are core values that earn him points as far as depth of character is concerned. With me, at least. You can have a character that is despicable, nasty, mean, and without remorse, but that doesn’t make them interesting. Here, though, Holden is made human by giving him redeeming qualities. Even if he chooses to use them in ways we might not agree with, or see as totally loyal or respectful, he views them as such, and that’s what makes the difference.

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Favorite Portrayal:
Even though I have now read through a few of Salinger’s short stories about Holden and his entire family, I still have to give proper credit to “Catcher in the Rye” for not only being a stellar book, but also to Salinger himself for not allowing anyone to sully it all up by making a film version during his lifetime. Props. But now that he’s dead, what’s keeping Jason Scwartzman from playing this guy, already?

Favorite Quote:
“All morons hate it when you call them morons.”

Favorite Moment:
Poor, poor Holden gets his ass handed to him for simply wanting to talk to Sunny, a prostitute. And when he has the chance to make it up to her pimp, not only does he get robbed, but Maurice (the pimp in question) further beats his ass down. Any wonder why Holden thinks poorly of most people?


Added September 7, 2016
I re-learned that info about previous Holden stories, re-reading this post. Huh. Also, I love that Dexter dig in the middle and that Aaron had nothing nice to say about it.
Also, found that dog picture and almost spit my coffee out, so its staying.

Facebook – Top 100 FAVORITE Fictional Characters: 89

***SPOILERS TO FOLLOW***
89: Harry Mason
Created by Takayoshi Sato and Keiichiro Toyama for the video game “Silent Hill”
First Appearance: 1999

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Initially I was going to throw James Sunderland – the primary pro/antagonist from Silent Hill 2 – on this list, but I decided against it because, really, while that guy is a cool and interesting character, its the events that surround him that are engaging and fantastic. Any person could have filled in. When your vehicle could be driven by anyone, really, you’re looking at an interesting experience, not necessarily an interesting individual. That’s makes Harry so much better, as far as characters go; His vehicle, the original Silent Hill, was a mish-mash of horror ideas that were thrown together in a mad whirlwind of frights and screeching sirens. Its a bewildering, if not stupid, mess. But Harry is badass enough to pull it all together.

Stuck alone in the rustic, fog-laden town of Silent Hill, Harry struggles against all odds to find his daughter, all while battling crazy, skinless monsters, giant beasts, a crazed cultist leader, possibly Satan himself, and unforgettable plot holes. What he has going for him is his undying love for his daughter, the memory of his now-deceased wife, and the unkillable urge to survive. It doesn’t matter that he can’t swing a club with enough strength to knock out a nurse. It doesn’t matter that his aim is so poor, he’ll unload an entire clip into the darkness only to hit his target twice. It doesn’t matter that he will barely outrun those that chase him before crumpling into a pile of exhaustion on the ground. He’s a human being, not a soldier. And he’s a father.

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His understanding of the events that surround him is almost nonexistent, with his befuddlement being at an all time high before the game even really gets going. But he pushes on, dedicated to finding his daughter long before Delta did in Bioshock 2. When the game comes to a close and he has no choice left but to sacrifice everything he knows in order to save his daughters life – even at the cost of his own – he takes the plunge, putting everything on the line in order to save her. He doesn’t care that, to do this, he will have to fight the devil, or shoot an innocent woman in the face, or even unknowingly assist in the murder of someone that, while likely deserving of the full punishment of his crimes, didn’t deserve the how of it all. No, what matters most to him is finding and saving his daughter.

I know I’ve talked this guy up as being the go-to dad for video games before, namely in my review of the game way-back-when. But the fact of the matter is, in so many games anymore, even “survival horror” games, we are treated to characters full of machismo and bravado, guts for glory, or – at the very least – the know-how to swing a baseball bat to do damage. Harry doesn’t. And its frustrating to play as him sometimes. A key point would be when you traverse the sewers of Silent Hill and have no clue where you’re going or what is attacking you. You can’t aim, you can’t run, and you can’t escape. Its humbling to play this kind of game because you get to learn your characters limitations. Some people probably hate this idea, and I can respect that (to a point).

But at the end of the day, its interesting to think about Harry vs. any other character we get to play in a game. Compare him to the Doom marine, Duke Nukem, Marcus Fenix, or any of these other so-called heroes in gaming. Our experiences with these characters are more like watching a movie, but pulling the trigger ourselves. They are stock character types that do more for explosions than they do for narratives. Harry mixes that up by removing the giant balls from a game with guns and monsters, relying more on understanding him and his motivations, rather than even understanding what’s going on in the game world.

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Favorite Portrayal:
 Easily Silent Hill. I mean, he’s only in SH3 for a brief second and, even then, its just his corpse. (NOT GONNA COUNT FROZEN MEMORIES OR WHATEVER IT WAS CALLED)

Favorite Quote:
“Huh? Radio…? What’s going on with that radio?”

AND

“Have you seen my daughter, Cheryl? Short, black hair? About seven years old?”

Favorite Moment:
This.


Added September 8, 2016
I need to replay this game. I wish it was an easier thing to accomplish.
If the ending link doesn’t work, just YouTube for “Silent Hill 3 Alien Ending” and be happy.

Facebook – Top 100 FAVORITE Fictional Characters: 90

****SPOILERS TO FOLLOW****
90: Bilbo Baggins
Created by: J.R.R. Tolkien for the books “The Hobbit” and “The Lord of the Rings”
First Appearance: 1937

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Why? He gave up the One Ring. Few characters to carry it have been able to give it up. Bilbo totally did. It was after many years, and after a ton of time not even knowing what the fuck was going on in Middle-Earth, but at the end of the day, he let it go and lives a happy life, more or less, to the end of his days.

Aside from this, it should be noted that I love The Hobbit twice as much as I love Lord of the Rings in its various parts. As cool as dragons and dark lords and wars are, The Hobbit features a smaller, tighter cast of characters, central amongst them being the titular Bilbo, a stout and strong-willed little dude with a heart of gold and a level of ingenuity even he didn’t know he possessed (though, seemingly, Gandalf totally did… amongst others). His knack for solving troubles far more immense than himself saves the day more times in the book than the wizard accompanying the party of dwarves manages to.

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And then, even after all is said and done, and he’s saved the world and survived his encounter with the slime-covered Gollum deeeeeeep within a dank cave system, he returns home and… lives a normal dude’s life for, like, a trillion years. He had his big adventure and, from that point on, he’s more or less content to simply live (of course now he is filthy stinking rich, on top of clearly smarter than others in his home town). He doesn’t really have to work ever again, but that simply means he’s cool just chilling, which I can totally support.

But these things pass in time and, eventually, he gets the adventure itch. And, without knowing what it is, without so much as a second thought as it leaves his hand, he passes the greatest weapon and treasure in the world to the floor, and in turn, to Frodo, and takes off. He, of course, yearns for it for the rest of his life, but he had not only the strength to outsmart trolls and dragons (I want to see Frodo or Strider say they outsmarted a dragon. A FUCKING DRAGON), but to give up that which corrupts and destroys, simply so he can stop being “butter spread over too much bread” and see mountains and shit, again.

So, why do I love Bilbo? He’s a great character on his own, showcasing the nature of inner-strength (of which we all possess… that’s the lesson of “The Hobbit” by the way, in case you were stupid) and allowed such growth, but then Tolkien, in his infinite wisdom, had the bring idea to give the character a delightful coda in his big-ass trilogy of books, allowing a beloved character a second chance to entertain and, more or less, live.

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Respect.

Favorite Portrayal:
Much as I like Ian Holm, the book version will never be topped. Granted, they are doing Hobbit films, currently, to come out next year. But I’ll hold my praise until I see it. Until then, nothing will ever top the book.

Favorite Quote:
“No hat, no stick, no pipe, not even a pocket handkerchief. How can one survive?”

Favorite Moment:
Taunting the fuck out of Smaug. What the fuck kind of balls must this little dude have? Granted, he was invisible, but still. He not only taunts him, steals from him, and berates him, but he also discerns the dragon’s weakness and, in the end, is the deciding factor in his death. Bad ass? You bet yours.


Added September 9, 2016
After three Hobbit movies, my opinion on Bilbo and the best portrayal has not changed. Little dude rocks and nothing, ever, will beat that book.

Facebook – Top 100 FAVORITE Fictional Characters: Intensity in Ten Cities

Top 5 Cities I Would LOVE/HATE to Live In

LOVE:

  1. The Citadel – Mass Effect series
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    This nice future city is slick and houses all the cool aliens in the world. …err, universe. Sure, it gets attacked… once. But after that, its a real swell time to be sure, full of hookers, politics, and clubs and games. And the stores? Highly endorsed.

 

  1. Twin Peaks – Twin Peaks
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    Nothing bad happens here, aside from murder and mystical bullshit. But when that’s not going on? Just top dollar shenanigans. And the coffee and pie? Just beyond top quality. Just don’t drink any coffee that had a fish in the percolator

 

  1. Bedrock – The Flintstones
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    From the relaxed dress code everyone had (pantsless and the dresses on those women? Jeez), to the fact that all the animals have a wise-crack to utter at the drop of a hat, to the fact that even a lug and lazy ass could get a stinking hot wife, Bedrock is where its at. Also? You get to ride dinosaurs. At your job. Best. Job. Ever.

 

  1. Hobbiton – Lord of the Rings/Hobbit
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    What’s to like? I love the houses (with their round doors!) and it just seems laid back and reeeaaal chill. What’s not to like? They party big, work hard, and drink aplenty. Also? It seems quiet and healthy, there. Just, you know, don’t move next to the Sackville-Baggins brood.

 

  1. Springfield – The Simpsons
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    Do I need to explain this?

 

HATE HATE HATE HATE HATE

ANY AND ALL New York City’s from fiction
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Nothing blows up quite like a skyscraper, and nothing defeats American spirit like destroying our biggest and most important city. Comic books, movies, video games… its always wrecked up, first. I will stay out of that business, thank you very, very much.

 

  1. Minas Tirith – Lord of the Rings
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    Why not? Well…

 

  1. Mushroom Kingdom – Mario series
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    It is hard to live in a city/kingdom that is constantly under threat of being destroyed by Bowser or the like. Seriously. What a hellish nightmare it would be. Especially since the only salvation you have is two Italian brothers. Plumbers, no less.

 

  1. Basin City – Sin City
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    Sure, its stylistic as hell, but when you live there, you probably notice that a bit less than when you live in a vibrant world of color. Especially when you stand a good chance of seeing the color red the most. Particularly coming out of one wound or another.

 

  1. Gotham City – Batman lore
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    Sure Batman is there to help fight crime, but do you realize how big Gotham is? And how often Joker or Clay Face are blowing up a bank or building? If you aren’t in that building, dying, you stand a good chance of being mugged or stabbed to death by some costumed freak dressed up in some crazy ass quilt while Batman is off saving people from the exploding building elsewhere in the city. Also: parking would be a bitch.


    Added September 12, 2016
    This is a great list and I stand by it, completely. I would maybe remove the Citadel, and replace it with Lindblum from FFIX, though.

Facebook – Top 100 FAVORITE Fictional Characters: 91

***SPOILERS TO FOLLOW***
91: The Shredder
Created by Peter Laird and Kevin Eastman for the comic series “Teenage Mutant Ninja Turtles”
First Appearance: 1984

wp-1473785686565.jpgMIRAGE EDITION

Don’t get me started on all things TMNT. I could go on and on about them, for days likely. But I won’t. No, in fact I’ve decided to only include The Shredder from the mythology, here, rather than the other characters I like (like Lord Ha’ntaan… The Rat King. Jesus. I’m sad). This is because, really, the only one worth note is the primary antagonist, Oroku Saki, primarily because he is the persistent and tenacious attitude toward toppling the turtles across all mediums, narratives, universes, side-stories, and/or interpretations. He is, without a doubt, one of my all time favorite bad guys in fiction.

Why, though? Probably because of his original history and the fact that, quite honestly, he’s a major badass in almost every way, aside from the Fred Wolf cartoon and the movies (in which he was either cartoony for the sake of comedy as he was in the former, or so pathetic as in the latter). In comic form, though, this is where this guy was a piece of work, both in the original Mirage comics from the mid-80’s and then, again, in the Archie line in the 90’s. Whereas he was seen, often times, as a buffoon or a generally ineffective enemy in terms of combat in other mediums, in the comics, he always came across as a real threat.

wp-1473785689090.pngCARTOON EDITION

Formidable and deadly, the only regrettable thing about ol’ Shred Head’s first incarnation is that he was tragically bested right away. He faced the Turtles in a bloody rooftop battle (see the first movie, for reference) and only after being physically exhausted to the brink of his ability, he slipped up and Leonardo ran his sword right through the Shredder’s abdomen. Of course, in no universe would this stop someone so popular, despite Eastman and Laird never intending to keep this guy around. Instead of vanishing completely, the Foot Clan – of which Saki is/was the leader, cloned him multiple times, using magic and strange alien worms. This ensured that Shredder could keep coming time and again.

In the Archie comics, he was far more noble, still being of the Foot Clan, still leading for many years, but eventually striking off on his own and keeping to himself most of the time, rarely engaging in battle if he had to. While he was at first malicious and nasty, with time he mellowed out and simply went his own way, only crossing paths with his mortal enemies from time to time. This lead to some epic confrontations, to be sure, but never out of spite or anger, mostly out of a sense of honor or self-defense. Other iterations of this guy have changed it up a bit, with the horrible cartoon from the 2000’s taking the cake as far as ruining a great character is concerned (they turned him into an amalgamation of Krang and Saki, something I can’t abide by), but the fact remains that he was still the coolest (looking!) bad ass around.

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The Shredder has since been a featured villain in almost every medium, including any and all video games (where he is either the end boss or the second-to-last boss faced), of particular note the port of the maga-hit arcade game for the NES in 1990. He was featured in three forms in the super-lame but often comical “Turtles Forever” mini-movie, and has even been seen in the new IDW comic series that is currently at press (and not half bad, mind you). His legacy is stupid, considering his origin was Eastman and Laird thinking it would be cool to have a bad guy with a cheese grater on his arm, and his narrative – while ever changing – evolves and continues to interest me.

Plus, I think his outfit is badass.

Favorite Interpretation:
For years it was either the cartoon or the Archie comic, but having blasted through the original Mirage comics, I must say, I’m most impressed with his lesser known story. See, in the two narratives I discussed, its never clear what his past is with these mutants, and the movie is kind of horrible, making him out to simply be a dick. But in the original comic, he was simply a trained warrior seeking revenge for his fallen brother, killed by Hamato Yoshi. Over a woman. After that, of course, its all mild dickishness, but it started out as a noble gesture toward both the Foot Clan (it was dishonorable to kill another member, so Yoshi had been banned, thus allowing Saki to kill him) and his own brother.

Favorite Quote(s):
“I never bluff”
– right before he blows up an entire building

and
Leonardo: “You’re going to kill us all!
“Shredder: “So be it”

Favorite Moment:
In the Archie comic series, Shredder is spared by the Turtles in an epic battle. Then, many years later, on the brink of victory, he is reminded that he owes the Turtles for the allowance they had made. Rather than simply retreat victorious and claiming Splinter in the process, Shredder honorably accepts this as fact and releases the rat and calls it even. It would have been far easier for him to give the Turtles the finger and run off, but he didn’t. I respect the hell out of that, even if its one of the last times we saw him in that comic line.


Added September 13, 2016
Reason #3025 that this list didn’t work: Shredder? At 91? What was I thinking?!

Facebook – Top 100 FAVORITE Fictional Characters: 92

****SPOILERS TO FOLLOW****

92: Auron
Created by Hironobu Sakaguchi and voiced by Hideo Ishikawa (Japan) and Matt McKenzie (US) for the video game Final Fantasy X
First Appearance: 2001

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Auron is dead. At the start of the game, right when you mean him, Auron is dead. That’s what I love about him. In the world of Final Fantasy X (known as Spira), when someone dies, they must be sent by a summoner (that doesn’t make sense, now, for the first time ever… a summoner… sends something away? Hm). If they aren’t, or they have such strong ties to the world, they remain as an “unsent”, usually a being that takes the form of a monster or enemy in the game. But Auron? He’s too badass. He sticks around to continue to fight the good fight, up until the game’s final moments.

He’s mysterious the whole time, and he’s just as wise and insightful as he is silent about his own past. He accompanies not one, but two members of a family bent on trying to save the world from Sin (hint hint, Sin is evil) and those that wish to aid it in its quest to destroy the world. He is trying to save those he loves and those he cares about the most, but also he is trying to undo his own mistakes, his own failures, and his own bad calls during the last Sin attacks, over ten years prior to this game. Of course, this is the primary reason he hangs out with the living, but he’s also the one that brought the game’s primary (and super lame) protagonist, Tidus, along for the ride. PS: That guy is also dead.

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When called to battle, though, this drunkard swings a mean sword. He’s the strongest bladesman in the game and also has some of the best moves (although this is made irrelevant by the fact that you can exploit the living hell out of the leveling system in this game). But its his voice, his dedication, and his actions outside of the games’ trillions of battles that really make the character interesting, and that’s what I’ll always remember him for.

Final Fantasy X is the first game in the franchise to use voice acting and, really, the only one worth mentioning (FFXII is awful and XIII? Super awful). And Auron’s voice actor, Matt, does a real great job of carrying this guy through. The voice acting aspect of the franchise was never really that big a deal for me, but when a game relies on it to tell its story? It can hurt if you don’t have a voice cast to get you through. With Auron’s wise words expertly provided in rich audio rather than simple text, he gets to come off as more wise than he would have in a previous title in the series.

Auron was also one of the few wise cast members to avoid the stink filled bottomless pit of bile that was Final Fantasy X-2, so he also has that going for him. And he shows up in Kingdom Hearts II being just as cool as ever, if not twice as wise (though its unclear which universe he actually comes from).

His passing, his FINAL passing, at the end of the game signifies that his character has come full circle and is finally fulfilled as far as his goals and his mission. Rest in peace,friend, you’ve earned it.

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Favorite Portrayal:
While he’s cool in KHII, he doesn’t even come close to how cool he is in FFX. Thank god, though, that they managed to get the same voice actor for his part. It the little things.

Favorite Quote:
Maester Kinoc: Come out. Your sentence has been decided.
Auron: Sentence? Don’t you mean execution?
Maester Kinoc: Really, now, what person would execute a dear friend?
Auron: You would.

Favorite Moment:
His opening moment, when he simply stands atop the spires of Zanarkand and watches the world he now knows crumble around him. You don’t know who this dick is, yet, but his levels of stoicism are to be spoken highly of because, let’s be honest, he’s the coolest dude.
TIE!
Also, when he finally drops his arm out of his coat/sling and jacks up monsters in the first big battle (pictured above). He officially became badass, to me.


Added September 14, 2016
I need to replay this game. I love Auron and more than I can say. He’s just a real solid badass.

Facebook – Brand New Captain Apathy

The last time I posted a new Captain Apathy online was April 26th of this year. Just now, in the middle of working on my Lit Narrative, I have posted the first new comic since that day:

http://www.xanga.com/capnap

If you ever read it, or want to start, there you go. You can start fresh from the very first comic and move your way on up to today. Or you can just take a look at my terrible art.

Either way?

I’m going to bed.


Added September 7, 2016
Thank link is dead. I have such fear over trying to upload Captain Apathy to this archive. I feel like I have to, but I really, REALLY don’t want to. Ugh.

Facebook – Top 100 FAVORITE Fictional Characters: 93

****SPOILERS TO FOLLOW****
93: Gustavo Fring
Created by Vince Gilligan and portrayed by actor Giancarlo Esposito for the show “Breaking Bad”
First Appearance: 2009

I know I post at the top of every entry that spoilers will follow, but I really must insist that you rethink whether or not you are going to press on through this character article if you aren’t completely caught up with Breaking Bad. If you are, press on. If you are NOT, then don’t be a doof. Stop reading, check the show out on Netflix, and then get back to me. If you don’t want to watch the show, then GTFO. Anyhow…

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The thing about Gus, here, is that he is the most calculating bad guy and most interesting character in recent fiction. From moment one, we are introduced to a man who owns and manages a string of chicken restaraunts and, in the end, is the most dangerous criminal in the entire tri-state area. So dangerous, in fact, that he is hated and loathed across the Mexican boarder for his activities, his endeavors, and his business deals. So much so that people try to kill him at all times, and not just Walter White, his reluctant and dangerous meth cook.

By the end of the second season, we’ve been shown that Walter can handle any low-level thug with great ease. And by the end of the third, he’s shooting people at point blank range, driving over them with his car, and making threats and sticking to them at every turn. So he needed to wage war against someone of equal – if not greater – intellectual power. And that man is Gus. Always two steps ahead of Walt and Jesse (and even the DEA and, hell, his old Mexican cartel adversaries… well, everyone aside from some C4 strapped to a wheelchair), he manipulates, commands, and exerts pure will over all those he surrounds himself with. He is unmovable, and he is remorseless.

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At his most threatening, though, he is cool and calm, always level-headed. Even when facing down Walter in the middle of nowhere, threatening to kill his family and newborn daughter if he dares to interfere again, his voice is steady and his words chosen with care. He is not a man to waste time on talking if there is no need, and he is not a man to take brash actions where simple logic can take their place. He doesn’t care if people want to see him, yell at him, argue with him, or even enter into formal and civil debate with him over any subject. No, Gus would rather bide his time, wait for the appropriate moment to act or speak, and then does so with actions that speak far louder than words.

AGAIN! SPOILERS TO FOLLOW!

Part of what makes a character great, especially an antagonist like Gus, is that – when they die – you are mad to see them go. Gus exits the Breaking Bad world during the finale to season four in an explosive final moment that, if you’re like me, has made you both insanely excited for Walter, but twice as upset over never getting to know, with any great detail (there are always flashbacks, of course) this guy’s true backstory. His most powerful enemy, the head of a giant drug ring in Mexico, seemed to know so much more about our man Fring and his exploits in Chile, and even the DEA has a hard time finding out any information about this guy prior to running his fast food chain, stateside. Who was he? Will we ever know? It doesn’t matter. His head-to-head, brain-to-brain think-off with Walt made the entire run of season four gripping and thrilling.

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Gus leaves quite an open hole in the show, too. This two-faced (pun, by the way) man was not only the head of a crime circle, but between he and Walter (through all four seasons) have systematically been taking out lower level flunkies, enforcers, and even major players in the drug underground. Now, with Gus out of the picture, all that’s left is Walter. Will Walt become the new Gus? Who knows. Who cares? All I know is, I’ll miss this guy and his ever-present sense of unease-inspiring cool.

Favorite Portrayal:
Well, he’s only on the show, so… there’s that. But, when Esposito was told to play the guy as kind but shrewd, but with a secret, he did so with great success. Even up to his death, Gus was portrayed with a level of secrecy that only this guy could pull off.

Favorite Quote(s):
“What does a man do, Walter? A man provides. And he does it even when he’s not appreciated, or respected, or even loved. He simply bears up and he does it. Because he’s a man.”

AFTER SLICING HIS OWN MAN’S THROAT:
“Well? Get back to work.”

Favorite Moment:
First difficult one of the list. There are so many to pick from. But I’m going to have to stick with his complete and total mass murder of the Mexican crime syndicate that wanted him dead. Its brutal, calculated, and perfect. So perfect, in fact, that he calmly drinks his own poison to ease the worries of those he intends to kill. Then he times how long he has before it starts to take effect, then politely asks to be escorted to a bathroom – during a drunken party, no less, where all of his enemies are gathered in one place, drinking poisoned booze (EXPENSIVE AND RARE BOOZE NO LESS) – where he folds his jacket with care, bends to his knees before the toilet, and with a second to think about it all, places two fingers down his throat to induce barfing so as not to die. Then he goes out, rejoins the party, and watches people die all around him. Granted, he himself is afflicted, somewhat, by the poison, but not enough to kill him, and not so much that he doesn’t get a few “goodbyes” in to the bastards that jacked him up in his youth.

Smooooooth.


Added September 15, 2016
I do believe we’re getting more Fring in “Better Call Saul” Season 3. The hints are all there. I’m ready.

Facebook – Top 100 FAVORITE Fictional Characters: 94

****SPOILERS TO FOLLOW****

94: Shere Khan
Created by Rudyard Kipling for the book “Mowgli’s Brothers”
First Appearance: 1894

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This cat’s name is SHERE KHAN. That alone is worth his admission onto this list. For some reason, this dude’s name just makes me love the character, immediately, kind of in the same way as Ignatius back at post #100.

To get more to the point, though, I love this guy. And I don’t mean the Disney version, though he is a cool character in there, too (not as cool as his Tale Spin incarnation, however, with his pinstripe suits and his money/power mongering). Granted, that’s the first place I ever really got to know this dude, but you don’t really get a good feel for him in those stories, not the way Kipling meant for us to understand him. In the Disney version he is powerful, intimidating, and cunning. But in the real, original, pre-Jungle Book stories, he is weak, lame, and often times described as lackluster in regards to his power over others (his only companion is a sniveling hyena that does little else than simply whine and whimper through the pages).

The reason Mowgli gets found and – in turn – raised by wolves is because Shere Khan fucks up a hunt, and wolves find the leftover boy that Khan wanted to eat over everything else (he goes after the kid because, guess what, its easier to eat a baby than to eat adult humans, particularly those that use “Man’s Fire”, something Khan is deathly afraid of). Mowgli gets rescued and raised by a wolf pack that could, collectively, tear Khan a new one. Rather than simply let this be the end of it, Khan uses his guile to trick wolves into overthrowing the leadership of the pack, thus allowing him entrance into the home of the wolves to exact his revenge on the boy who, after a decade, stands up to Khan and actually drives him away with that thing he dreads most, o̶p̶p̶o̶s̶a̶b̶l̶e̶ ̶t̶h̶u̶m̶b̶s̶ fire.

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For the rest of time, all Shere Khan wants is control over the hunting grounds the wolves, who in the end fucked him over, rule over and, of course, to eat the boy who lived. This single-minded drive eventually gets him killed by a stampede and Mowgli, who swore to skin the beast and claim his hide, an act that, in the end, fucks Mowgli over, resulting in his banishment from his human village and the near-murder of his adopted human parents. All because he wore the skin of the beast (there were other reasons, but its nice to see that, even dead, Khan is a bastard).

The thing I like about Khan, though, above all, is that his delusions of grandeur actually do gain him favor in the world. From time to time. Despite being hated by his own mother (who gave him the nickname, “The Lame One” as a child), and despite being far from the most threatening of the jungle’s creatures, Shere Khan performs outside his boundaries and becomes a menace to more than just abandoned little boys and small critters. He is feared by humans who have built up a legend about him, and have nightmarish stories to tell about him.

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The Disney version of him is pretty cool, too, but only from the standpoint that its a children’s cartoon and, thus, even at him most cunning he is still written down to a kid’s comprehension level. But by making him super-intelligent and powerful in battle, Shere Khan’s presence is essentially destroyed. Legend, when it has to compete with the truth in a narrative, is a fascinating thing. The Disney version we see is what the people of Mowgli’s village actually think he is like, who he is, and how hazardous he can actually be. But when we encounter him in the books, we see through the carefully constructed facade, and see the monster for what he is. There is a lesson in there, somewhere.

think.

Favorite Portrayal:
The book. Hands down. But mostly in “Mowgli’s Brothers”. “Tiger, Tiger!” features his intelligence is downplayed and he is duped far too easily. But in “Brothers”, even at his most timid and docile, there is a power lurking within him, somewhere, that can’t be denied.

BUT! The Disney movie featuring Lui Kang had an alternate story going in which Khan was a peripheral antagonist, and one that didn’t talk, didn’t have to. His presence was enough of a threat. But he plays the role of jungle protector, fighting men, animals, and the rest with abandon, only if they threaten the jungle. That portrayal takes a close second. A CLOSE second.

Favorite Quote:
Mowgli: “Run? Why should I run?”
Shere Khan: “Why should you run?! Is it… is it possible you don’t know who I am?!”
-His disbelief here is awesome.

Favorite Moment:
In “Tiger, Tiger”, Khan’s friend and confidant, the hyena, is captured and Khan knows it. He even has a few opportunities to free the guy, but does he? No. What does he do? He takes a nap. Does this end up killing him? Yes. But at the time he doesn’t care. He doesn’t even think revealing himself will get him killed, or put him in harms way, or anything. He just doesn’t give a fuck about his friend, a thread that runs throughout their entire relationship in the text(s). Its also a big, douche move. Perfect, coming from a big douche.


Added September 16, 2016
Added a picture from the new movie because it was awesome and nailed the Khan character with a perfect balance of the book and the old Disney cartoon film.
Still love this dude.

Facebook – Top 100 FAVORITE Fictional Characters: 95

****SPOILERS TO FOLLOW****

95: George Smiley
Created by: John le Carré for the book Call for the Dead
First Appearance: 1961

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 How do you describe George Smiley? Anti-Bond. In a world with flashy and super-natural levels of espionage, as portrayed in Ian Fleming’s master-spy novels, George Smiley takes a quieter path than those Connery, Brosnan, or Daniel Craig. He is never depicted as a master of gunplay, but more a master of politics as he solves capers, crimes, and mysteries all under the watchful eye of “The Circus” – an accurate name for Bond’s branch of British Intelligence, to be certain.

While James Bond is the fantasy version of what we associate with “secret agent”, Smiley is a more realistic and human interpretation. As stated, he never comes across as physically dangerous, more apt to solve dangerous situations with his wit and his breadth of knowledge of almost every subject he comes across. He is a thinker, and not a lover – it is his wife that has all the illicit affairs!

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One other thing I really treasure about George, though, is that he was born in the early 30’s, according to the retconned literature, making him middle-aged and greying by the time he is active in the stories. While Bond is – most times – shown as a dashing young man, Mr. Smiley has lived through that part of his life by the time he’s toppling Soviet spy rings and taking out terrorists. He uses his experience and understanding of how the world works – and most notably how it doesn’t work – to his advantage time and again, making the most of all situations.

So, I guess you could say I really love the fact that this guy is cool for a middle-aged dude, to say the least. I love me some Bond films. I’m not going to shock anyone, I think, when I announce that James Bond MAY SHOW UP ON THE LIST AT SOME POINT. But the things I like about Bond are the things that keep me from liking tons of characters like him. Unrealistic, clearly always going to win because he blows up more of the bad guys’ things than the bad guys can blow up of his, and far too smug and charming. George Smiley is the closest to a real human being that I could relate to that has seen the horrors of the world, his enemies, and his own job, and still maintain status as “realistic”. There is a level of respect for that, mostly on the part of expert writers.

At the end of the day, though, its the fact that – over the course of the books he is featured in – George ages, matures, evolves, and changes. Bond can’t say that (aside from the fact that, in the movies, he changes actors). Author Le Carré suggests that, in his ripe old age – as he would be if he were alive today – George would be retired and keeping beesWhere is Bondtoday?

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Favorite Portrayal:
So, I never really read the books. Sorry, its true. Instead, I’ve seen the British production of “Tinker, Tailor, Soldier, Spy” – featuring none other than Sir “Dont-Call-Me-Kenobi” Alec Guinness. Sir Alec plays the due so perfectly, cool and collected. I will always have a special spot in my heart for this movie, and can only hope and pray that the remake – featuring Gary Oldman as Smiley – will be as good.

Favorite Quote:
“Just another man trying to make his footplace in history.”

Favorite Moment:
In the aforementioned “Tinker, Tailor, Soldier, Spy”, George is pulled out of retirement to locate a mole at the top of British Intelligence. About halfway through, and after eliminating two of the four possible suspects, he makes a shocking discovery that one of his old friends could be in on the entire ordeal, or – perhaps – the person in charge of it all. What does he do? He goes, he sits, and he talks with him. Its cold, calculating, and even his friend doesn’t realize that he is having vital information pulled from him the entire time. This information doesn’t even become important to the viewer – or the reader, I guess – until the near-final moments of the film, such is the quality of George’s methods.I could say more, but the movie is out soon and, on this front, I won’t want to spoil a thing.


Added September 19, 2016
I don’t really have much to add, here. Aside from the fact that I really should read more of these books.